Lyrical expressionism
Lyrical expressionism is an expressionist trend founded by Freijanez
early this century that shares with the "Expressionism" its personal
and intuitive vision that gives priority to the expression of feelings in front
of objective descriptions of reality, but without opposition nor confrontation
with impressionism or any other movement or school, opened to any influence,
endorsing the impression of the world surrounding the impressionist artist that
switches it into a simple reflection of the senses. On the other hand, it
transforms restlessness, anxiety, sadness, conflicts and suffering that is felt
in the German Expressionism and also the ugly aesthetics of the New York
Abstract Expressionism of the 40s into gentle poetry, parsimony, peace, and its
edges and square concepts into roundness and tenderness. It claims to be
‘painted poetry’, and also expressionist as it takes diverse forms and shapes
of expression considering the most important the reflection of the inner world
of the artist, the expression of the own feelings on any other consideration,
based on its firm belief that for the purposes of creativity the
"inside" is the "outside", rejecting therefore any kind of
confrontation or conflict and framing its creative action in poetic lyricism,
excluding on the other hand drama, tragedy and epic, without condemning them,
in the constant search of creating beauty in peace and harmony, which is its
main goal, namely, own enjoyment, rest and inner and intellectual development,
in permanent virtual communion with other human beings. An oasis of physical
and spiritual rest, an attempt of creating beauty, in order to obtain as a
result an eclectic symbolic representative expressionist poetry of the deepest
feelings and a situation and an attitude in the world, not against it. Totally
neutral and apolitical.
Back to the Expressionism as technique
Almost a century after the official advent of "Expressionism"
in Germany, the "Lyrical expressionism" appears with the acknowledge
that give the years and the checking that tensions and struggles of artistic
movements that follow one to each other virtually no influence on the important
issues of society and decides to give up any political or social action and
devote itself to the cultivation of inner wealth aware that any social
improvement goes through the improvement of inner wealth of people
individually, far away then of the chronological evolution and succession
representing modes and art schools and away equally of any plastic styles at
the service of concrete political ideologies, but taking the expressionism as a
tool, as bulk of his technique of expression. Contrary to 'lyricism' which is a
'romanticism', the 'lyrical expressionism' is not about romantic feelings of
anguish and death, but deals with the inner development, peace and tranquility
in search of clarity and spiritual progress, which is one of its main
objectives in the metaphysical field. Its main value as engine is the child
within the person itself.
Two branches
The lyrical expressionism is divided into two branches, “figurative
lyrical expressionism” and “abstract lyrical expressionism,” the first of them
incorporates some elements of other styles outside the “Expressionism”, always
at a minimum. The second, by its very nature, does not differ much in general
from abstract expressionism except in volume and certain perspectives achieved
with textures and materials and techniques from previous phases as ceramist of
its founder, of great importance because if expressionism carries the colors
and shapes to a temperamental end, those come to be significantly reinforced.
Materials as paint working tool
All kinds of material available to the artist. It is used primarily
considerable thickness textures that come to be the most characteristic and
important item because they facilitate the framing, enrich the volume,
diversify the color tones and enhance perspectives.
Pure, net, colors and mixing colors, primary and secondary,
complementary or not, stumped ... can be all used including black and white. The
color range is the most extensive that has come to be. There is no prevalence
of colors, but can be very frequent the night paintings.
As tools, yarns, wool, ropes, brushes of course, sponges, combs, sticks,
toothpicks, fingers themselves and no matter what else, bare hands also, being
the “soul” of the artist the “main tool,” the “soul” of the creative person,
full of poetry and peace and serenity at the time of the creativity.
The artist can create on any surface, wood, cloth, paper prepared for
this purpose or any other medium, using inks, gouaches, watercolors, oils and
art acrylics that is the recommended nowaday
for having exceeded oil in practically all considerations.
Position and attitude in the world
As in art, 'Lyrical Expressionism' is equally eclectic in philosophy,
another of its major reasons of being, of its basic foundations, matter in
which it respects, as in religious, every belief and incorporates knowledge and
wisdom of many of them although as part of an esoteric Buddhism that comes to
be similar to what agnosticism has been called "agnostic monotheistic
theism" but frees the author of turn and his followers for positioning at
any time and on any social issue , philosophical, religious, political or other
opinion, not as a creator of lyrical expressionism, as stated above, but at
personal level keeping the capacity and the possibility of returning to their
rest for creation, separating the creation of the creator, so it does not
require nor affiliations of any kind to anyone who decides to practice it
because it goes without saying that violent people, not to put more than one
example, do not use in painting out doves of peace. It considers that in the
matter of creativity, the interior is the exterior, the inside is the outside, that
the hands reflect what the heart feels and what dictates the mind, and that
plastic poetic beauty cannot be created neither poetic lyric if the feelings
are not in congruence with what is created without soon the nature of the
artist and his creation be revealed when not at the first attempt. It respects
all styles, all affiliations and all manifestations that human beings adopt
throughout their lives, even if it does not share them and it departs and
places itself at the end of philosophy, in its true mouth, which is not the
university chair, but asceticism, and it is there, at the beginning or in any
of its most advanced stages, depending on each person, on the 'state of being'
in which each one is located.
Delimitations: Lyrical insinuation
Lyrical Expressionism has not been founded to attack absolutely anyone,
nor to any circumstance, not even to complain or to mourn, unless a few tears
on a face painted, carved or sung, although obviously distorted from a
realistic embodiment, come, innocently, to reinforce the beauty of the whole,
to endow it with tenderness.
The painting "Vergnona", gives us an example of the point to
which "Lyrical Expressionism" can arrive, that is, its limit, its
delimitation: remembering a tragedy,
expressing that one has felt and deeply
regrets it, but maintaining the highest possible levels of creativity and
plastic beauty, without blaming anyone, as in this case "not even with the
brush."
freijanez@gmail.com
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